supported by 17 fans who also own “L'Enfer en Pleine Lumière”
Question: how can I like this amount of noises and enjoy listening to this album? Answer: you shouldn’t listen to it with your ears: I close my eyes and get dragged in this chaotic world where sounds seems to not collide but it is just an impression: on this record everything makes perfectly sense. losfastidios
supported by 15 fans who also own “L'Enfer en Pleine Lumière”
they picked the cotton that saved the world. that picked cotton propelled u.s. economy; a unique capitalist setup. (though anglo saxon colonizers are not unique.) so many pop stars and hip hop billboard mainstays trumpet u.s. capitalism ad nauseam; or escapism & distraction.
"Don't Die," also powerful.
"i don't believe they lies. don't believe their truth, need they heads for proof" -- that's direct and powerful.
the violinist Saydah Ruz stands out here, i think. Jeremy Leaming
Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing. Bandcamp Album of the Day Mar 28, 2023
supported by 15 fans who also own “L'Enfer en Pleine Lumière”
A staggering achievement. Conceived and executed in total disregard of the borders of genre, "PARADISO" gathers the corners of Amobi's oeuvre and stretches it around a frame big enough for any of the classic 70s prog 2xLPs. Imagine an operetta written by Pierre Schaeffer, Tricky, and William Blake and you'll only get the faintest idea what goes on in "PARADISO." Wish Fulfillment